Revision of Working Papers in Cultural Studies, or, the Virtues of Gray Literature from Mon, 03/26/2012 - 21:58

Published by Ted Striphas on Fri, 03/23/2012 - 16:05

Biographers of the Birmingham Centre for Contemporary Cultural Studies have tended to adopt two main narrative approaches to chronicling the Centre’s history.  The first coalesces around its key figures—faculty like Richard Hoggart and Stuart Hall, as well as former students such as Charlotte Brunsdon and Lawrence Grossberg, who, since their time in Birmingham, have risen to prominence in the field.  Generally this body of work moves between their own personal reflections on their time in Birmingham and the reflections of travelers in cultural studies who have followed in their wake (CITES).  The second approach focuses less on the figures per se and more on the enduring body of work they produced, both individually and collectively.  Here we have in mind Policing the Crisis (Macmillan, date); Subculture: The Meaning of Style (Methuen, date); Women Take Issue (Hutchinson, date); The Empire Strikes Back (Hutchinson, date); and a host of other landmark texts that comprise what has come to be known retroactively—and indeed problematically—as the “Birmingham School.”[fn]Grossberg quoting John Clarke: “the diversity that won.” Should also probably note the many “rows” various Birmingham figures mention in their personal reflections, as if to acknowledge the lack of unity of position.[/fn]

Taken together, these two approaches have yielded a useful composite of the cultural, political, and economic conditions leading up to the Birmingham Centre’s founding in spring 1964.  They have also provided a glimpse into the sometimes heated process of arriving at the Centre’s own sense of itself and its intellectual commitments.  As Stuart Hall once put it, “My own memories of Birmingham are mainly of rows, debates, arguments, of people walking out of rooms.”


not to mention an inkling of what everyday life might have looked like throughout the 1960s and 70s.


Rarely, however, have has there been a studied investigation into the form, function, and frequency of


its publications.



Rarely to our knowledge has there been a studied look at the form, function, and frequency of its publications.



We want to introduce a third.



Need to talk a bit about the archive, i.e., the annual reports, which are more than just bureaucratic documents – or at least they quickly become more than that.


Note the preponderance of what Zuckerman & Merton call “fugitive” publications.



“Thus do purely marketing decisions homogenize research and university teaching in accordance with fashions coming from America, sometimes managing to fabricate outright ‘disciplines’ like cultural studies, this mongrel domain born in England in the Seventies, which owes its international dissemination – if not the whole of its existence – to a successful publishing strategy” (Bourdieu and Wacquant, 1999: 74). » make this your ending!


An important and largely overlooked element of the “grassroots” of this story—the story of the formalization of cultural studies’ publications.  It was not, in the first instance, a top-down undertaking and indeed probably wasn’t until the 1980s, and even then never wholly.


Seemed to recognize from the beginning how important publications would be to the success of the Centre.


Want to spend some time reconstructing the publication history of the Birmingham Centre.


--Occasional Papers; special occasion pamphlets

(2nd OP called “Two Working Papers in CS”)

-- WPCS (1971 – replacement for OP)

(Also producing pamphlets)

--Stenciled Occasional Papers Launched 1974-75

--Reboot(???) or formalization of CCCS Pamphlets (1976-77)



Just a point of curiosity: how did you acquire the Birmingham Centre annual reports? Are they publicly accessible somewhere? I cannot seem to find them published anywhere.

Thanks for your question, anon. One of our mentors happened to have all of the BCCCS annual reports, and by his good graces we were able to acquire copies.  Otherwise, as far as I know, they're not publicly available at present.  Someone clearly needs to work on developing an archive, as these are too valuable a resource to remain locked away in someone's file cabinet.

Hi Ted - thanks for the fascinating article.  Your call for a CCCS archive has been heeded.  I have just begun work here in Birmingham on a project to mark the 50th anniversary of CCCS, which includes an archive, an exhibition and a conference.   The archive already has some deposits from Richard Johnson, Michael Green and others connected to the Centre, and Stuart Hall has promised that his papers are on the way.  In the mean time, we are seeking further deposits so if anyone reading this has archival material connected to CCCS, I'd be grateful if they could contact me at

Best wishes,

Kieran Connell

Thank you for your comment, Kieran, and for letting me know about the burgeoning BCCCS archive.  This is fantastic news indeed, as the archive is long overdue (though timing its launch to coincide with the Centre's 50th anniversary is perfectly apt).  I'll be sure to put the word out; Larry Grossberg and John Clarke, whose personal archives helped Mark Hayward and me a lot with this project, would be good people to whom to reach out.

We just had Michael Denning come out to PSU with his Yale Working Group and I was talking with him about this very moment at Birmingham. He had great stories about how when he arrived, each student was issued a cuby-hole and was taught to use the mimeograph. Each day someone was filling them with something they were working on (translation of Foucault from French, a manifesto they were working on, a theory being given a fledgling flight, etc)...fascinating stuff. It points to the importance of framing academic work as an ongoing collective process, not just missives from lone scholars who need single author pubs. Nice job with the essay.

Matt Jordan

Thanks very much for posting this comment, Matt.  It's really interesting to hear about Denning's experience, and also good, for Mark and my purposes, that it's in keeping with the general arguments of our paper. I especially love the little tidbit you included, about how there was formal instruction on how to use the mimeograph machine.

In reviewing the BCCCS annual reports from the 1960s and 70s, I was amazed to see how many people who are now luminaries came through Birmingham, either as visiting scholars or students.  It really was a who's-who back in the day.  More to the point, it's remarkable to learn about how these individuals worked together in such a concerted fashion, even if not always with a sense of common purpose.  Fascinating.